The works of Swiss graphic designer and artist Karl Gerstner (1930–2017) are defined by his methodical approach to design, which sought to guide the creative process using objective and rational criteria, ultimately leading to serial design solutions. Gerstner succinctly captured this philosophy in his 1963 publication Designing Programmes with the statement: “Instead of solutions for problems programs for solutions.” He successfully aligned every stage of his work — from conception to execution — with a narrative of rigor and clarity, reflected in the anagram of his name: “klar strenger”.

This research represents the first comprehensive study of Karl Gerstner’s graphic and artistic legacy. Reflecting his dual practice, both disciplines are given equal weight — a contrast to earlier reception, which focused primarily on his early graphic work. The study situates Gerstner’s output within its historical context and analyzes his design methodology through the lenses of Structure and Programme. It investigates the extent to which his developed “programs” achieved their intended creative outcomes — and where they fell short. The analysis uncovers tensions and contradictions between Gerstner’s work and his autobiographical narrative, offering a newly critical and nuanced perspective on his remarkable oeuvre.

Supervisors

Prof. em. Dr. Klaus Klemp

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